THE INFLUENCE OF THE «SASHI-MONO» TECHNIQUE ON MODERN ART: THE TRADITIONS OF JAPANESE CARPENTRY IN THE LATEST INTERPRETATIONS
DOI:
https://doi.org/10.31652/3041-1017-2025(5-1)-14Keywords:
sashimono, carpentry, joinery, crafts, minimalism, technologies, ecodesignAbstract
The article explores the influence of the traditional Japanese technique of sashi-mono carpentry on contemporary art and design. The technique, which involves the creation of wooden joints without the use of glue or metal fasteners, has become the embodiment of the principles of minimalism, functionality, and aesthetics inherent in Japanese culture. The article analyzes the historical origins of the method, its formation in the Edo period and its preservation in the context of Japan's modernization. Particular attention is paid to modern approaches to the adaptation of “sashi-mono” in furniture and architectural design, in particular through the integration of digital technologies such as 3D modeling and computer -aided design. The examples of contemporary designers and architects who combine traditional methods with innovative materials demonstrate a steady revival of interest in the craft. The ecological aspect of the technique is highlighted, which is especially relevant in the context of the global search for sustainable solutions in design. The article explores the Japanese sashi-mono joinery technique, which uses traditional methods of joining wooden elements without glue and metal fasteners. The historical development of this technique, its basic principles, and its influence on contemporary art and design are considered. Particular attention is paid to the use of sashi-mono in minimalist furniture, architecture, and art installations. The role of digital technologies, in particular 3D modeling, in the revival and development of this technique in the contemporary context is described. The article emphasizes the significance of sashi-mono as an example of a combination of traditional.References
Watanabe M. DigitalToolsinTraditionalWoodJoinery. DesignandCraftJournal, 2021.
Zhukov D. Innovativetechnologiesinthepreservationoftraditionalcrafts. Lutck: LNTU, 2022.
Kovalchuk M. Minimalisminmoderndesign: theinfluenceofJapanesetraditions. Lviv: LNU, 2019.
Kravchuk V. TraditionalcraftsofJapan: historyandmodernity. Kyiv: ScientificOpinion, 2018.
Kuzmenko I. Ecologicaldesign: newapproachesinarchitecture. Odesa: ONU PublishingHouse, 2021.
Nakamura H. TheCraftoftheJapaneseCarpenter. Tokyo: TuttlePublishing, 2013.
Nishi K. CraftsmanshipinJapaneseArchitecture. Tokyo:TuttlePublishing, 2012.
Petrenko O. Japanesecarpentrytechniques: culturalcontext. Kharkiv: KhNUBAPublishingHouse, 2020.
Sato K. Sashimono.TheArtofJapaneseJoinery. Tokyo: KodanshaInternational, 2005.
Sugiura N. SustainableArchitectureThroughTraditionalJapaneseTechniques. ArchitecturalReview, 2018.
Takahashi Y. ModernApplicationsofAncientJapaneseJoinery. Journal of ArchitecturalDesign, 2020.
Fukuda T. JapaneseWoodJoineryinContemporaryDesign. ArchitecturalDigest, 2019.
Downloads
Published
Issue
Section
License
You are free to:
Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.