Linguistic and aesthetic representation of the image of the sunin the poetry of Yevhen Malaniuk

Abstract

Introduction. The research deals with the functional and semantic analysis of figurative structures with the name of the celestial body the sun, which are recorded in the poetic texts of Yevhen Malaniuk and are components of his individual picture of the world.

The purpose of the article is to trace the peculiarities of linguistic and aesthetic representation of images of celestial bodies in the language of Yevhen Malaniuk.

The article uses the methods of lexical-semantic, component and contextual analysis, the method of of textual identification, as well as functional-stylistic and interpretive-textual analysis.

Results. The associative and figurative connections of the nomination, which are relevant for the author's idiostyle, are identified and characterized, the mechanisms of its linguistic aestheticization in tropic structures – epithetical, metaphorical, comparative – are traced. These structures are differentiated according to their content and expressive and expressive parameters. The active individual-authorial renewal of the associative-figurative relations of the analyzed nomination sun in the poetic texts of Yevhen Malaniuk is noted.

Conclusions of the study and prospects for further research in this area. The recorded and analyzed figurative structures with the name of the celestial body sun confirm the stylistic status of this nomination as an important component of Yevhen Malaniuk's individual linguistic and poetic picture of the world. The analysis of the tropic development of the image of the sun gives grounds to assert the tangible influence of European modernism (in particular, expressionism) on the formation of the author's figurative and aesthetic system, as well as the continuity of the traditions of national literature. It is important that the reliance on semantic and structural prototypes established in the national literature in the poetry of Yevhen Malaniuk is organically combined with the search for innovative, individually authorial means of verbalizing thought. It is indicated that the prospect of the study is connected with the need for an in-depth study of the semantic and associative potential of the sun nomination and, more broadly, the names of celestial bodies in poetic texts and the establishment of regularities of their contextual figurative, aesthetic and expressive development in the idiostyles of Ukrainian authors.

It is indicated that the prospect of the study is connected with the need for an in-depth study of the semantic and associative potential of the sun nomination and, more broadly, the names of celestial bodies in poetic texts and the establishment of regularities of their contextual figurative, aesthetic and expressive development in the idiostyles of Ukrainian authors.