Abstract
The article analyzes E. Simonovych's attempts to expand the chronological boundaries of the Chernyakhiv culture by linking its origin to the Zarubynets culture on the basis of similarities in ceramics. The main attention is paid to the criticism of this theory, in particular to the works of P. Tretyakov, who questioned the arguments of Simonovych and other researchers. The comparison of ceramics of the Zarubynets and Chernyakhiv cultures proposed by Simonovych is recognized as groundless, since archaeological evidence suggests the Gothic origin of the Chernyakhiv culture, which is confirmed by the study of Velbar antiquities.
References
Симонович Е. А. Зарубинецкая и Черняховская культуры в Поднепровье. Древние славяне и их соседи. – М.,1970. – С. 17-22.
Третьяков Н. П. Финно-угры, балты и славяне на Днепре и Волге. – М.,Л., 1966 та ін.
Рыбаков Б. А. Ремесло древней Руси. – М.,1948. С. 70.
Хавлюк П. І. Пізньоскіфське селище Сорока // Археологія. – 1979. – № 29.
Хавлюк П. И. Вельбарские памятники на Южном Буге. – Люблин. – 1988. – С. 127-144.
Кухаренко Ю. В. Могильник Брест-Тришин. – М.,1980.
Археологія України. – К., 1992.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2001 Pavlo Khavliuk